ICJS Event: Japanese Cinema Eclectics—Curated by Donald Richie

A Multi-part Series Devoted to Unexplored Tangents of the Japanese Film


Film: Vibrator

Date
Wednesday, May 23, 2007
Time
Open: 7:00 p.m. (Start: 8:00 p.m.)
Venue
SuperDeluxe (Access)
Admission
Open to general public.
1,500 yen (valid for one day/one screening)
Language
Introduction by Donald Richie in English
Film in Japanese with English subtitles (film to be followed by a Q&A moderated by Donald Richie)
Contact
Contact us

About the Film Vibrator

Written by Arai Haruhiko, based on Akasaka Mari's novel
Directed by Hiroki Ryuichi
Photographed by Kazuhiro Suzuki with Terajima Shinobu, Omori Nao, Makise Riho, Murakami Jun, Sakajou Miki, Taguchi Tomoro, Takayangi Eriko, Toda Masahiro, and Eugene Nomura. (2003), 95 mins.

(Review of movie from NY Times)
Internationally acclaimed Japanese film director Ryuichi Hiroki (I Am an S&M Writer, Tokyo Trash Baby) takes the helm for this cathartic road movie concerning the transformative journey of an emotionally-unstable writer and adapted from the novel by Mari Akasaka. Rei (Shinobu Terashima) is a freelance writer whose inner demons have driven her to self-medicate. It's during one of her late-night beer-runs to a local urban mini-mart that Rei makes the acquaintance of handsome young trucker Okabe (Nao Omori) - who has taken a momentary pit stop to fill up his tank and grab some snacks. After the two form a friendly bond in the late night hours where anything seems possible, Rei climbs into Okabe's rig for an impromptu road trip that will lead her to find out more about herself than she would ever learn while sitting home and drinking alone. As the dawn draws near on the edge of the horizon, what at first appeared to be a one-night stand gradually transforms into a momentous meeting of chance. ~ Jason Buchanan, All Movie Guide.


About the "Japanese Cinema Eclectics"

This monthly series will feature relatively unknown but important Japanese avant garde films selected by Donald Richie, the former Curator of Film at the New York Museum of Modern Art in New York (1969-1973), and a renowned authority on Japanese film.

Donald Richie came to Japan in 1947 as feature writer for the Pacific Stars and Stripes. After the end of the Occupation, he became film critic for The Japan Times and still continues with that paper as Arts Critic. During the following years he wrote a number of books, including The Films of Akira Kurosawa (1965); Ozu (1974), and One Hundred Years of Japanese Film (2002). In addition, he has written over forty books about the country in which he has been resident for nearly sixty years. These include: The Inland Sea (1971), Japanese Portraits (1991), and his latest work, The Japan Journals: 1947-2004. From 1968 to 1973 he was Curator of Film at the New York Museum of Modern Art. Named by TIME magazine," the dean of Japan's arts critics," he is regarded as the preeminent authority on Japanese film. Susan Sontag has said of him "Donald Richie writes about Japan with an unrivaled range, acuity, and wit."


About the Institute of Contemporary Japanese Studies (ICJS)

The ICJS is an organization dedicated to fostering study and research on various topics related to contemporary Japan. The Institute hosts lectures, seminars, and symposia that provide a forum for Japanese studies scholars to present their work on issues related to contemporary Japanese social, cultural, and political issues. The ICJS reflects TUJ's commitment to offering research and study programs linking Japan and other countries, fostering greater overseas understanding of Japan, and serving an innovative role in International Education in Japan.


This series will be hosted at the Super Deluxe (SDLX) in Nishi-Azabu (www.super-deluxe.com)

Japanese Cinema Eclectics
Film Schedule

April 6Nobody Knows (Dare mo shiranai)
May 23Vibrator
July 21Avalon